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The end is somewhat unsatisfying because the viewer is left without knowing who’s to blame: town officials for not fighting the plan, Bussone for not being a good businessman, or the investors and the bank for not giving the business a chance to succeed. Most of the interviews are good, but a few are redundant. Opponents argue that Google is stomping on copyrights and denying the authors the profits they’re entitled to for their hard work. Is easy and free access to information in the public interest, even if it comes at the expense of compensating the people who gathered the information? Unfortunately, he won’t be back for River Run, but director Tadashi Nakamura will attend the screening.
Amidst all this, though, is a poignant picture of the American work ethic as seen in the perseverance of the townspeople. We are fortunate to have so much visual history on Heifetz. I would say no, but director Ben Lewis does an admirable job of presenting both sides of the issue.
— Tim Clodfelter “The Color of the Chameleon” 3 ½ stars, MT. — Tim Clodfelter “The Deflowering of Eva Van End” 3½ stars, MT. It’s quirky throughout, sometimes very funny, sometimes very disturbing — including a scene that animal lovers will find hard to watch — but ultimately uplifting. The townspeople seem mostly of retirement age but they can’t afford to retire, so they are all for reopening the factory. The morning after a wild party, a hung-over Carter needs a ride. So she persuades a friend to provide the necessary sperm, and she gets pregnant. He and his family left Russia in 1917, on the eve of the Russian Revolution, for a four-month American tour. The movie has archival footage of Heifetz playing from the time he was a teenager until he was in his 70s. But, keeping with the theme of the day, even his seemingly simple solution isn’t that simple. The video went viral and turned Shimabukuro into an international ukulele star. He lets her stay, and she proves to be an asset, helping prepare the dilapidated inn for tourists — although it’s hard to imagine anyone wanting to visit this remote, unwelcoming spot in the highlands of the Andes. The story is compelling, but the actors are what really keep the film afloat. The documentary provides some fascinating insights into Bergman’s career and personal life, and is a thoughtful profile of a doomed romance, though it is more for fans of his work than for newcomers. It’s a briskly moving and very interesting documentary, even if it does feel a little unfocused from time to time. It doesn’t spoon-feed the audience, letting viewers fill in a few of the blanks on their own. His struggle is captured in the striking documentary “Persistence of Vision.” Williams refused to be in-terviewed for the documentary, but through file footage Williams speaks, sharing his first drawings, the creation of his signature style and his belief in the art of animated films. During the genocide in Rwanda in 1994, bicycles represented hope — giving people a way to ride across the border and away from the horrors at home. It’s impossible not to feel sympathy for these families. As Kanjuro, Takaaki Nomi is dour and broken-down, only pushing forward at his quest because of his young daughter. So does Ramirez’s widow, who is white and has to endure taunts and personal attacks from the townsfolk as she’s trying to come to terms with his death. Harold Hayes was born in Elkin, but moved to Winston-Salem at the age of 11. The director will attend the April 15 and 16 screenings. Some leave their fishing villages for the city in search of work at the factories. Each day, he has one chance against an exceptionally tough audience — the prince is also grief-stricken after his mother’s death. The town’s growing Hispanic population, understandably, sees it differently. Tom Hayes, director, narrator and a Wake Forest University alumnus, gives us a fascinating look at the inner workings of Esquire during its heyday in the 1960s under the leadership of his father, Harold Hayes.The plant starts running and things look rosy until one bounced check kicks off a chain of events that financially cripples Bussone. The film, directed by Cory Van Dyke, is a lot of fun — surreal, artistic and existential. The birth scene is uncomfortably graphic, but it’s the emotional overtones that will really make the audience squirm, as Davenport tries to work through her issues with her father while adjusting to motherhood. There are interviews with Heifetz’s students from his teaching days at the University of Southern California in the 1960s, and interviews with such virtuosos as Itzak Perlman. Google has embarked on a project to scan as many books as possible, putting them online and making them available to the masses — creating a worldwide library, so to speak. He’s been hailed as a true virtuoso, and the documentary shows why, while also letting us get to know this sweet-natured, down-to-earth musician. The cinematography is gorgeous, and even though there’s not a lot of action, the film is compelling. But director Xavier Dolan, a talented 24-year-old, lets it all go on for too long. If you’re looking for a date-night movie at River Run, this is it. A lot of it is insider baseball, but there’s something touching about the struggle between making art and making money. The story ends with the plant closing, 180 people losing their jobs and Bussone losing his house and more. Van Dyke and Sneed will both attend the screenings. — Susan Gilmor “God’s Fiddler: Jascha Heifetz” 3 stars, TN. The long clips of Heifetz playing and showing his incredible style are the best parts of the movie. It seems like a noble goal on the surface, but what about the people who wrote the books? Local audiences got a chance to see Shimabukuro perform with the Winston-Salem Symphony last year. At 168 minutes, it starts to feel like you’re watching their decade-long relationship unfold in real time. — Susan Gilmor “Persistence of Vision” 4 stars, MT. And of course, there’s the universality — and sadness — of Williams’ obsession with creating “that one big thing,” even when that thing ultimately turns to dust.